no comment (and so it goes)

Commenting seems to be broken here on the blog. I suspect it has to be re-installed (the blog, I mean). It was not installed very carefully the first time, mostly because I wasn't actually planning to have a blog. I was just trying to see how easy or difficult it would be to install one, so I could advise a friend, and it was so easy that I suddenly had a blog. So, like the woman in "You Can't Take it With You" (who received a typewriter by mistake, so she decided to become a writer), I became a blogger.

So, commenting will be fixed at some point.

(Later: Turns out it's the theme I was using. If I switch themes, commenting works just fine. The course of least resistance would seem to be to find a new theme. I'll try to do that this week. Until then, it's back to the old one.)

I read all of Kurt Vonnegut's novels as they came out, until Breakfast of Champions. That killed my interest, because it was so silly (drawings of underpants, for goodness sake) and seemingly arbitrary. Then, years later, I read an article which said that a lot of people stopped reading Vonnegut with Breakfast of Champions, because it was so silly (with the drawings of underpants and so on).

It annoyed me to be part of a group like that when I had thought I was having an independent opinion, so I went back and read all the novels I'd missed, In order, one after the other: Slapstick, Jailbird, Deadeye Dick, Galápagos, Bluebeard, Hocus Pocus, and Timequake. This didn't seem odd to me at the time, it was entertaining and educational, but, thinking back, I can't immediately think of another novelist whose work I would want to read that intensely. Seven novels in a row, and if there had been any more, I would have read them, too. And now there won't be any more, but there's a bunch of them, and they're mostly really good.

A few somewhat random thoughts about Kurt Vonnegut:

  1. To the extent that people are still aware of the firebombing of Dresden during World War II, it's probably mostly because of him.
  2. He made a wonderful defense of the (often criticized) tendency of science fiction to have two-dimensional characters. His defense was that this was deliberate, since science fiction was a literature of ideas, not a literature of characters. Which reminds me of my idea of "puzzle films" which I talk about here (scroll down to #5).
  3. He didn't care one bit if ideas were popular or not. If he thought they were true, he'd promote them. If he thought they were wrong, he'd mock them with rare skill.
  4. Mother Night still remains my favorite of his novels. And it was made into a very good movie. Some of his novels were made into movies which weren't so good, but it didn't bother him. "It doesn't hurt the books," he said, pointing at his shelf. "There they are. They're fine."
  5. He was not a huge influence on what I do (not much influence at all, I think), except in one way. In Breakfast of Champions, the main character goes crazy, not because he has some sort of traumatic experience, but because the chemicals in his body make him go crazy. Which is also true of starling, who was not abused or "driven crazy," except by the chemicals in her body. Not a romantic view, but probably a realistic one, in many cases.

excelsior, you fatheads

One day I googled "daphne the dog," and I found out two interesting things.

One is that apparently Daphne is a fairly popular name for dogs. The other is that apparently (according to this website) Jean Shepherd had a dog named Daphne.

Since Shep was a huge influence on me when I was growing up, I wonder if this is a coincidence. Most nights, after my bedtime, I would huddle with my ear next to the white plastic clock radio, lights out, volume nearly inaudible, listening to the stories about Flick and Schwartz and his old man, about the army, about the woman who started doing a striptease on the Madison Avenue bus at 3:00am on New Year's morning, about how great it would be, when you were arguing with your friend Ockie over the kitchen table late at night, if you could reach under the table and switch on an echo chamber as you were making your crushing rebuttal to Ockie's idiotic opinion about the chances of the White Sox doing anything this year, about the Phantom D train, and so on.

Did Shep mention Daphne the dog at some point, and is that where it popped from when I needed a name for Carl's dog? Coincidence? Either is possible. As Nero Wolfe said, "In a world that operates largely at random, coincidences are to be expected, but each one of them must always be mistrusted."


In other news, the Q&A on the Chicago Manual of Style website just referred to one of my favorite grammar rules:

Q. I'm teaching a class at the university after a long break and have discovered that most of my students are putting commas or other punctuation outside quotes rather than inside. Is either correct?

A. Tsk – the things kids get up to these days! You have to watch them every minute. Unless you're teaching in the U.K., the punctuation goes inside the quotation marks. (But see CMOS 6.9 for exceptions.)

This is one of my favorite rules because it's so simple, and when people get it wrong, sometimes it's because of overthinking. Some people like to make rules more complex than they need to be (or more absolute).

(Or more logical, since I've just heard that there's some thinking that the United States should adopt the British method, where the punctuation is only inside the parentheses if it is part of the material being quoted. This would be more logical, of course, but things have seldom caught on in this country just on the basis of being logical. Otherwise we'd be measuring things with the metric system, and recording them with the phonetic alphabet on Dvorak keyboards.)

On the other hand, I've had to mediate some disagreements at work about whether or not the second element of a hyphenated word gets capitalized in title case, and that rule is so complex that CMOS has offered a simpler rule as a substitute (though they indicate that they prefer the more complex rule, of course). Given that the complex rule is confusing even to me, and I'm sure it would be completely baffling to those who are not native English speakers, I've decided to go with the simpler rule: "Capitalize only the first element unless any subsequent element is a proper noun or adjective."

The more complex rule is:

(1) Always capitalize the first element. (2) Capitalize any subsequent elements unless they are articles, prepositions, coordinating conjunctions (and, but, for, or, nor) or such modifiers as flat or sharp following musical key symbols. (3) If the first element is merely a prefix or combining form that could not stand by itself as a word (anti, pre, etc.), do not capitalize the second element unless it is a proper noun or proper adjective. (4) Do not capitalize the second element in a hyphenated spelled-out number (twenty-one, etc.). (5) Break a rule when it doesn't work.

If I ever go crazy, I expect I will end up on a street corner, CMOS in hand, accosting passersby to get them to heed the Word and read the Book. (CMOS allows capitalization of terms like this in a religious context, even though they generally favor a "down" style.)

micro-town?

The offer to buy the "u-town.com" domain seems to be off the table, but an interesting piece of information came out of it. I mentioned the offer to a friend, and he said, "I wonder if he sees this as 'micro-town,' though I doubt it."

This intrigued me, so I asked, "'U-town' conveys 'micro-town'? In what way? (This would be another lucky accident, of course, like the way it suggests 'Utopia.')"

He responded, "There is a convention among computer software engineers – I'm not sure how widespread; I've seen it here and there – for using the lower-case letter 'u' to represent 'micro.' The idea is that it's really the Greek letter (lower-case) mu, which looks sort of like a 'u' with a long tail on the left side, so 'u' is the closest Roman character."

So, a little bit of luck, as comes along occasionally.

The end of the newest chapter is up, but something weird seems to be going on at the website, probably with the PHP, so that the links between the sections aren't working. It's not just the current chapter (where I might have messed up the coding), I checked a few of the earlier chapters and they don't work either.

I'm sure whatever it is will be fixed (perhaps even by the time you read this), but until then, this link will work: http://text.u-town.com/word/different/different.php#newest. And remember, if that ever happens, you can go to the "The New Novel" link up there, and in the second paragraph after the bullets, there are links to all the chapters (each in a single file) which should work. I'm thinking that when i rewrite I will probably just present each chapter complete in one file, as with the earlier novels.

Quite a bit of the next chapter is done, I'll be posting some of that very soon. According to the current plan, it will be called, "(At this Moment of) the World." I had another idea for the chapter title, but I can't tell you what that was, since I realized that, sitting there in the list of chapter titles, it would give away the end of the story.

Good thing I thought of that in time.

Later: Contacted the webhosting company (Verve Hosting) and, as usual, they suggested the right solution. The site had been moved to a server with register_globals turned off, so I had to add "php_flag register_globals on" to my .htaccess file.

In case you were wondering. Anyway, the new parts can be found here. The beginning of the chapter is located here.

Now if I could figure out why my dialup connection is always funky (and not "funky" in a good way). Good thing I kept my old one as a backup.

a different choice

There’s more of the new chapter posted (I was setting up the files and the coding, hence the slight delay with this entry), and now it has a name, A Different Choice. It’s a quote from the Alanis Morissette song “Out is Through” (as in “the only way out is through,” which is very true).

You can go right to the new parts here. There’s a bit more to come in this chapter.

I’ve been listening to a lot of Alanis recently, though mostly not “Jagged Little Pill,” which was very popular (#1 album of the 1990s, #1 album ever by a female artist) but isn’t really very good. Her more recent albums, though nowhere near as popular, have been much better. She has an annoying banshee wail of a voice, the tendency to sing her own lyrics as if she isn’t familiar with the English language and doesn’t know how to inflect it, a deep sense of the responsibility of her position in the world, and a sense of humor that nobody seems to notice (listen to “Eight Easy Steps,” and how can you miss the fact that the jokes are all on her?). What’s not to like?

I just saw an interview with Kevin Smith where he reported that he teared up when she played “Still” for him the first time. It plays over the closing credits of the movie “Dogma” (in which she plays God) and it is a very moving song, about how awful people often are, and (by implication) how much better they could be:

I am the harm which you inflict.
I am your brilliance and frustration.
I’m the nuclear bombs if they’re to hit.
I am your immaturity and your indignance.

I am your misfits and your praised.
I am your doubt and your conviction.
I am your charity and your rape.
I am your grasping and expectation.

I see you averting your glances.
I see you cheering on the war.
I see you ignoring your children,
And I love you still.
And I love you still.

By the way, after writing this entry, I thought of another question in “Dogma” which is answered by the end of the movie (or, as Smith would have it, the “flick”). Bethany is complaining to a co-worker about men, the other woman wonders if she’s thinking of “joining the other team,” but Bethany says that women are insane. Her friend says that she needs to go back to church and ask God for another option.

This question is answered by the end of the movie as well.

Later: A friend recently asked why I disliked the movie “American Beauty” so much (I had said that I thought it was the worst of the Best Picture Oscar nominees the year it won). I said:

It was meretricious (a favorite word of my father’s). It pretended to depth that it didn’t have, it pretended to concern about the female characters which it certainly didn’t have, it posed serious questions about life and gave pretentious answers consisting mainly of flapdoodle, it had preposterous and arbitrary plot developments (beware of movies where one character needs money and another suddenly happens to have a lot of it for no good reason except that it makes the plot work), it had mechanical character development (the rigid Army man turns out to be a closeted and repressed gay, the “fast” girl turns out to be a scared virgin, etc.), it deplored the middle-aged man’s lust for the aforementioned “fast” girl, but it encouraged the audience to feed the same way about her that he does.

That’s all I remember, but I think there was more.

By the way, I allow the “sudden appearance of convenient cash” in Kevin Smith’s last movie (“Clerks II”) because it was a comedy, and because (for those who were paying attention) the existance of the money had been clearly established in a previous movie. As I indicated in a blog entry, Smith is a much more careful writer than his “dick and fart jokes” image would suggest.

Popeye

I recently watched Robert Altman's movie Popeye again, and from a movie standpoint it has good parts (Robin Williams, Shelly Duvall, Bill Irwin, Richard Libertini, the set design, some of the songs) and not so good parts (some of the other songs, the ending), but it also made me think of a couple of my characters.

One was Vicki. It was deliberate, especially in U-town, that she would be very much like Popeye. Stronger than anybody else, but not liking to use her strength unless she had no other choice ("I've had all I can stands, I can't stands no more!"). And also in how centered she is, how sure of who and what she is ("I yam what I am an' tha's all what I yam."). She comes to U-town, where she doesn't know anybody, and she is comfortable keeping a little distance between herself and most of the people she meets. She doesn't want to join a clique or a gang, she is quite comfortable on her own.

The other person I thought of was Daphne, for a very different reason. E.C. Segar originally created a strip called "Thimble Theater," centered around Olive Oyl, her brother Castor, and her boyfriend Ham Gravy. Then, for one sequence involving an ocean trip, a sailor character called Popeye was introduced. He wasn't intended to continue beyond that specific storyline, but he caught on with the audience, and eventually became the central character, to the extent that the strip is now mostly known as "Popeye."

When Daphne was first introduced here, she was supposed to be a walk-on character, an amusing indication of Carl's preferences and enthusiasms ("Think of the advantages," he says to Pete about having a dog in the apartment). But, of course, she lasted far beyond that sequence, and now I'm thinking she might be a (if not the) major character in the next book (if and when I ever finish this one, of course).

Well, even if I decide she will be the central character in the next book, it could go in a very different direction anyway. I thought this one was going to be about SarahBeth, and a lot of it was, but now in these chapters she's mostly offstage.

a journey ends, identity theft, and grammar

the journey ends

The rest of the current chapter is posted. You can read it from the beginning, or you can pick it up here, at the first subway station.

it still sucks

Identity theft #2 (#1 was mentioned here) just happened. It consisted of somebody getting my debit card information and making a series of small ($12-$13) purchases with it. In Paris. That made it both easy to contest (since it is not difficult to prove that I’m not in Paris), and annoying (since my money is off having fun in Paris without me).

It was also amusing that it started by someone calling me and asking for my debit card information (and then being pissy because I wouldn’t give it to her). Even before I was the victim of identity theft #1 I wouldn’t have been that stupid. It turned out they were from the bank, but I wasn’t going to tell them anything until that was confirmed.

And you can get rid of a debit card and get a good, old-fashioned ATM card if you want, but you have to ask for it. Which I did.

grammar drones

I saw this post on stormville’s blog. It took a few minutes to track down the origin of the question, but finally this clarified why “pilotless drone” was suddenly such a big deal (and also, amusingly, how it might be partially or entirely a fake).

In the absence of context, I can’t give an opinion on the use of the apparently redundant modifier. Of course, I immediately checked the Chicago Manual of Style, and couldn’t find anything relevant, but I’m fairly sure their answer (if anybody would send in the question, and how much do you want to be that at least one person does?) would involve an assessment of the point the author was trying to make, and a caution against any grammatical rules which say either “always” or “never.”

I would also be very suspicious of any issues raised by somebody who would say, “Aren’t you there to ensure that the English language isn’t pissed on by your subeditors?” Though I originally read that as “pissed off,” which would be funnier (in an “It’s not nice to fool Mother Nature” way).